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Like the Gaslight Anthem, the Menzingers straddle the divide between pop punk and Bruce Springsteen’s rurally tinged suburbs with the kind of ease that makes a joke of any entrenched “sell out” argument. Anthemry as it ought to be, Rented World sneaks in the Hold Steady style, builds, crescendos and then kicks up ecstatic, anthemic rock outs of the most epic order.
